March 24, 2020<March 24, 2020 EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery by Baylee Less
10 March 19, 2020<December 15, 2020 Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’ by Mitch Mosk
March 13, 2020<March 12, 2020 Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’ by Kelly McCafferty Dorogy
March 10, 2020<March 11, 2020 Track-by-Track: The Gloomies’ Beachy, Visceral, & Intimate Album ‘Are We Getting Better?’ by Mitch Mosk
November 11, 2019<November 11, 2019 Unapologetically Herself: Lauran Hibberd Rises & Rages with ‘Everything Is Dogs’ by Atwood Magazine Staff
July 5, 2019<July 5, 2019 Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP by Mitch Mosk
May 23, 2019<May 23, 2019 The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review by Adrian Vargas
April 5, 2019<April 5, 2019 The Long-Awaited Return of Foals: A Band Who Only Get Better with Age by Hermione Kellow
April 4, 2019<April 4, 2019 Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP by Mitch Mosk
April 4, 2019<April 4, 2019 Track-by-Track: Sego Crush Expectations with Sophomore LP ‘Sego Sucks’ by Coco Rich
February 16, 2019<February 16, 2019 Plested’s First & Foremost: A Track-By-Track Review by Luke Pettican
November 12, 2018<November 12, 2018 Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album by Lindsay Call
October 29, 2018<November 8, 2018 Album Review: BROCKHAMPTON Shine with ‘iridescence’ by Atwood Magazine Staff
October 9, 2018<October 9, 2018 Track-by-Track: Orions Belte’s Excitingly Fresh Debut Album ‘Mint’ by Mitch Mosk
For the Love of Music
For the Love of Music
