August 14, 2024<August 16, 2024 Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms by Blake McMillan
August 14, 2024<August 14, 2024 Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One by Mitch Mosk
August 14, 2024<August 14, 2024 The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams by Mitch Mosk
August 13, 2024<August 13, 2024 “Waiting on a lonesome dream”: The Soulful Ache of nicholas’ “Belinda” by Mitch Mosk
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August 12, 2024<August 14, 2024 Atwood Magazine’s Weekly Roundup: August 12, 2024 by Atwood Magazine Staff
August 12, 2024<August 12, 2024 “All the things we’ve tried have left a mark”: Kate Prascher Weaves Love, Light, & Lilting Folk Together on “The Island” by Mitch Mosk
August 12, 2024<August 12, 2024 “I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs by Mitch Mosk
August 12, 2024<August 12, 2024 Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey by Aidan Moyer
August 12, 2024<August 12, 2024 One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos by Rachel Leong
August 12, 2024<August 12, 2024 Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan by Oliver Crook
August 12, 2024<August 12, 2024 Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band by Liv Goodbody
August 9, 2024<August 9, 2024 “Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’ by Mitch Mosk
August 9, 2024<August 9, 2024 ‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album by Mitch Mosk
August 9, 2024<August 9, 2024 Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone by Noah Wade