August 23, 2024<August 23, 2024 “I was able to allow myself to be more real”: Illuminati Hotties Stops Dodging the Truth and Starts Healing on ‘POWER’ by Oliver Crook
August 23, 2024<August 23, 2024 Today’s Song: Nerina Pallot Reminds Us What It Is to Be Human on “Regrets” by Emily Frances Algar
August 22, 2024<August 22, 2024 Roundtable Discussion: A Review of Childish Gambino’s ‘Bando Stone and the New World’ by Atwood Magazine Staff
August 22, 2024<August 29, 2024 Human Connection: The Story of Blind Pilot’s Fourth Album, ‘In the Shadow of the Holy Mountain’ by Mitch Mosk
August 22, 2024<August 22, 2024 “How to love and be loved”: Gabe Goodman Explores Life’s Big Questions on Debut Album ‘The Rock’ by Mitch Mosk
August 21, 2024<August 21, 2024 “Queer Metabolism”: Inside The Noisy’s Charged & Charming Debut LP ‘The Secret Ingredient Is More Meat’ by Mitch Mosk
August 21, 2024<August 21, 2024 Premiere: Miami’s Palomino Blond Unleash Their Angst in Alt-Rock Tempest “Understand” by Mitch Mosk
August 21, 2024<August 21, 2024 Today’s Song: The Staves Are “Waiting for the Joy” to Come in Their Invigorating, Harmony-Soaked Anthem of Angst & Existential Dread by Mitch Mosk
August 20, 2024<August 20, 2024 Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’ by Mitch Mosk
7 August 20, 2024<August 21, 2024 Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’ by Josh Weiner
August 20, 2024<August 20, 2024 “Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’ by Mitch Mosk
August 20, 2024<August 20, 2024 Review: Clairo Revitalizes Lana Del Rey’s “Brooklyn Baby” by Marc Maleri
August 20, 2024<August 20, 2024 “We’re patterns in repeat… and we’ll always be”: Laura Marling Reflects on “Patterns,” a Shimmering & Heartfelt Ode to Motherhood by Jake Fewx
August 20, 2024<August 20, 2024 Live Review: Celebrating Everything Old & New at The Greeting Committee Concert by Hannah Burns
August 20, 2024<August 20, 2024 No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack by Aidan Moyer
For the Love of Music
For the Love of Music
